'Swan Dive is to ballet what Anthony Bourdain’s Kitchen Confidential was to restaurants, a chance to go behind the serene front of house to the sweaty, foul-mouthed, psychofrenzy backstage.' Daisy Goodwin, Sunday Times Award-winning New York City Ballet soloist Georgina Pazcoguin, aka the Rogue Ballerina, gives readers a backstage tour of the real world of elite ballet – the gritty, hilarious, sometimes shocking truth you don’t see from the orchestra circle. In this love letter to the art of dance and the sport that has been her livelihood, NYCB’s first Asian American female soloist Georgina Pazcoguin lays bare her unfiltered story of leaving small-town Pennsylvania for New York City and training amid the unique demands of being a hybrid professional athlete/artist, all before finishing high school. She pitches us into the fascinating, whirling shoes of dancers in one of the most revered ballet companies in the world with an unapologetic sense of humour about the cutthroat, survival-of-the-fittest mentality at NYCB. Some swan dives are literal: even in the ballet, there are plenty of face-plants, backstage fights, late-night parties, and raucous company bonding sessions. Rocked by scandal in the wake of the #metoo movement, NYCB sits at an inflection point, inching toward progress in a strictly traditional culture, and Pazcoguin doesn’t shy away from ballet’s dark side. She continues to be one of the few dancers openly speaking up against the sexual harassment, mental abuse, and racism that in the past went unrecognized or was tacitly accepted as par for the course – all of which she has painfully experienced firsthand. Tying together Pazcoguin’s fight for equality in the ballet with her infectious and deeply moving passion for her craft, Swan Dive is a page-turning, one-of-a-kind account that guarantees you'll never view a ballerina or a ballet the same way again.
A sensual tale of envy, revenge and violence set in an elite ballet school, Abbott’s flinty thriller layers twist upon twist in an exquisitely choreographed routine of suspense.
The new thriller, set in the hothouse world of a ballet school, from the multi-award-winning writer Megan Abbott.
With their long necks and matching buns and pink tights, Dara and Marie Durant have been dancers since they can remember. Growing up, they were trained by their glamorous mother, founder of the Durant School of Dance. After their parents' death in a tragic accident nearly a dozen years ago, the sisters began running the school together, along with Charlie, Dara's husband and once their mother's prized student. The three have perfected a dance that keeps the studio thriving.
But when a suspicious accident occurs, just at the onset of the school's annual performance of The Nutcracker-a season of competition, anxiety, and exhilaration-an interloper arrives and threatens their delicate balance.
'All one needs to know about a Megan Abbott book is that it's a Megan Abbott book – dreamy, sexy, a deep dive into a subculture that has been exhaustively researched. The Turnout is all those things and more, taking you so far into the world of a small ballet school that you feel the characters' aches and pains in your joints, your feet and, most dangerous of all, your heart' - Laura Lippman
'Megan Abbott writes at the darkest and sharpest cutting edge of psychological fiction. The Turnout is a completely standout novel of perception, mystery and style. It grips, challenges and delivers one of the finest and most disturbing stories you'll read in a very long while. It's also achingly moving. I loved it' - Henry Sutton
A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future
Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance.
In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.
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